It was while perusing one of my favourite websites of all time, The Selby, that I stumbled upon Hannah Metz in her home and studio. If you don’t already know, I love all things 60’s–the fringe, the eyeliner, Jane, Françoise…I could go on and on. Continue reading INTERVIEW // HANNAH METZ, DESIGNER
Nothing strikes my attention like a girl with beautifully highlighted cheeks– not like that no makeup glow, but that wow, what is she wearing type of response. Continue reading THE BALM // MARY-LOU MANIZER
In preparation for the impending Black Friday and Cyber Monday sales, I’ve come up with three wishlists/looks for this Christmas. Since some sales have already started, in the left sidebar, I’ve started a list of sales going on, and I’ll be announcing more sales as I get knowledge of them.
Subscribe in the top left corner for email notifications of sales and posts! Continue reading AMANDA’S HOLIDAY SHOPPING PICKS
As someone who for years feared looking even slightly dewy and hoards little packages of blotting sheets, it is truly weird that 1) I even purchased not one but TWO products that do not include mattifying in the title, and 2) actually love them. This is progress if I ever saw it everyone. Continue reading LUMINOUS COMPLEXION MUST-HAVES
Scottish designer Christopher Kane and Nars have announced that their collaboration for a Spring makeup line. Continue reading NEWS // NARS X CHRISTOPHER KANE TO RELEASE SPRING LINE
Pretty explanatory, today I’m going to give you the lowdown on my everyday makeup look, which inherently means sharing my favourite products and how I like to use ’em.
I start off doing my liner with a Korean pen-liner which is INCREDIBLE–Clio’s Liner in Kill Black. No, it’s not quite ‘waterproof’, but I’ve had this for nearly six months, and it’s still inky and has a super precise tip. I typically do a little cat eye and clean up with some Bioderma-soaked Q-tips (which is why I do this first).
Then, I work on my skin. I do a thin layer of Armani’s Maestro in Shade 3 all over– this stuff is almost water thin and looks super natural, it’s seriously next-level makeup. I go under the eyes with Shade 3.5 of the matching Armani Maestro concealer, which has dark orange tones that correct. I set it with Vichy Dermablend Translucent Powder and I’m set until lunchtime when I more often then not need to blot.
t any purple circles. If I’ve got any blemishes to cover up (which I 100% do have 95% of the time), I go in with Vichy Dermablend Foundation Stick in the first shade OR, if I need some serious help, Amazing Cosmetics.
For a little definition, I apply some of Nars Laguna right under my cheekbones using a tapered paint brush I found at the art store (it really gets into the hollows of my cheeks and it was like $20). Continuing with Laguna, I grab a fluffier brush and give the contours of my face a little bronzer. I’ve been loving a dusting of Giorgio Armani’s Eccentrico on my cheeks for a natural flush and highlight.
I finish off my eyes with a few coats of Maybelline’s Mega Plush, which is ah-mazing. As for brows, I get them died nearly black so I just brush them out with a spoolie.
And people say I’m high maintenance!
Photographs can bring out the worst in your makeup–you might think you aren’t that shiny, or that you applied your makeup pretty well–but through the camera’s lense any unblended makeup looks obvious and blotchiness comes through.
Whenever I know that I am going to be photographed–whether at a club, a birthday, a wedding, whatever–I always follow the same rules.
1)Primer: First use Benefit’s Porefessional to hide any obvious pores around my nose, chin, forehead and cheeks, then apply Smashbox’s Photofinish primer all over my face to ensure a smooth surface. Primer will also help to adhere your makeup to your skin, making it last longer. Lancôme also makes a really great primer, and if you’re looking for something lighter, Dior CC Airflash Primer is weightless.
2)Complexion: You’re going to want to use something with a more matte finish–cameras are not kind to any kind of dewy look–but don’t cake on the foundation either, because this will show up. I used Nars’ Sheer Matte foundation (I also really love Dior’s Airflash Foundation, as you know) in a shade that is actually slightly darker than my super fair complexion. I tried this out a few years ago in attempt to look less ghostly on camera, and it does help a bit. If you’re going to do this, make sure to blend into the neck. I concealed my dark circles with Lancome Effacernes and Clé de Peau‘s concealer. I also covered up some redness with the CDP. Be sure to really blend everything and blur any leftover brush strokes with fingers.
3)Powder: This is key for not looking like there is an oil slick on your face. I generously apply Vichy’s Dermablend Setting Powder, wait a few minutes, then brush off the excess. I touch up with Cover FX‘s matte powder.
4)Eyebrows: These are key for making your face pop on camera. Eyebrows are the architecture of the face, so be sure to fill them in. I love Lancome’s Le Crayon Poudre.
5)Blush: Apply more than you think. It actually takes a lot for it to show up on camera. A peachy pink shade always looks nice and fresh. On my wedding day I applied tons of Nars’ Orgasm to have a pretty bridal flush. I used Make Up For Ever’s HD Cream Blush which is really easy to use and super buildable. A little bit of slight contouring with bronzer also helps to warm up the face and add definition.
6)Lips: Hydrated lips always look best. Apply a satin-sheen lipstick or lipgloss. Matte textures can look severe, especially on more mature skin.
Remember: good lighting will always help, hold your camera slightly above you and know which side is your good side! (It’s the left for most people)
While gold was all over the runways for Spring and Summer, I think the soft, angelic Greek fairy look from Dolce and Gabbana was my favourite (I’m not sure how wearable a gold eyebrow really is). The girls all sported a fresh, glowy, romantic look down the runway with warm pink lips and a rosy glow. Soft gold highlighted eyes in a very understated way and highlights were created over dewy skin. While not an obviously “gold” look, I think it is perfectly suitable for the warmer days ahead.
To start, I created an even base with Dior’s Airflash CC Primer, then layered over the Airflash Foundation. After correcting my dark circles with Lancome Effacernes concealer, I applied some light gold eyeshadow from the Dior palette on the lid and along the inner tear duct, then worked a bit of the bronze shade into the crease. I lightly traced the dark brown shade along the outer corner of the eye. I created a very slight winged line with the Clarins pencil, then retraced over it with the Smashbox liner.
Pat McGrath created lots of highlights on the face, so I lightly dabbed and blended some of Armani’s Fluid Sheer on cheekbones, the forehead, down the bridge of the nose, and on the cupid’s bow. I lightly countoured my face using Nars’ Laguna along the cheekbones and on the perimeter of the face, adding a little more to the temples.
To create a girly, pink flush, I used both Dior Rosy Glow and Make Up For Ever’s cream blush in 410. Pat used blush on both the cheekbones and around the temple area of the face. I finished off the look using Dior’s Lip Glow for a naturally bright pink lip.